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Traditional Andalusian folk song
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Vous avez sélectionné:
Traditional Andalusian folk song
Partitions à imprimer
6 partitions trouvées
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El Vito
El Vito
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4 Guitares (Quatuor)
#
INTERMÉDIAIRE/AVANCÉ
#
Flamenco
#
Traditional Andalusian folk so
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Richard Ashby
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El Vito
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Richard Ashby
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1378565 Composed by Traditional Andalusian folk song. Arranged by Richard Ashby. Classical,Folk,Latin,Traditional. 17 pages. ...
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Guitar - Level 4 - SKU: A0.1378565 Composed by Traditional Andalusian folk song. Arranged by Richard Ashby. Classical,Folk,Latin,Traditional. 17 pages. Richard Ashby #963245. Published by Richard Ashby (A0.1378565). Guitar ensemble arrangement of El Vito (traditional). Arranged for 3 Guitars and Bass Guitar by Richard Ashby. Intermediate to Advanced level.
$12.99 ≈
12.12€
Granadina (Folksong from Granada, Andalusia)
Granadina (Folksong from Granada, Andalusia)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Joaquin Nin
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Alpin Smart
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Granadina
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SmartWorks Publications
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.485096 Composed by Joaquin Nin. Arranged by Alpin Smart. Classical,Traditional. Score. 3 pages. SmartWorks ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.485096 Composed by Joaquin Nin. Arranged by Alpin Smart. Classical,Traditional. Score. 3 pages. SmartWorks Publications #104124. Published by SmartWorks Publications (A0.485096). Spanish Folksong from Joaquin Nin's Vingt Chants Populaire Espagnols. The song is from Granada, Andalusia, and, typically, has extended guitar solos and strumming between the sung 'coplas'. Variations in speed and dynamics wrack up the excitement and drama in the song - you can almost hear the clapping and dancing of Andalusian Gypsies!
$4.99 ≈
4.66€
EL VITO (Score and Parts)
EL VITO (Score and Parts)
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Orchestre
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Spanish Folk Song
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arrange by Oleksiy Bazhenov
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EL VITO
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Oleksiy Bazhenov
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1276362 Composed by Spanish Folk Song. Arranged by arrange by Oleksiy Bazhenov. Folk. Score and Parts. 86 pages. Olek...
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Full Orchestra - Level 3 - SKU: A0.1276362 Composed by Spanish Folk Song. Arranged by arrange by Oleksiy Bazhenov. Folk. Score and Parts. 86 pages. Oleksiy Bazhenov #868096. Published by Oleksiy Bazhenov (A0.1276362). EL VITO - Â Traditional Andalusian folk song and danceArrange for soprano and Acoustic Gyitar with symphonic orchestra by Oleksiy Bazhenov.
$40.00 ≈
37.32€
Fandango de Huelva
Fandango de Huelva
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
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Flamenco
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
#
SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Publis...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms? Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González ?Triguito? in Madrid in the late 1960?s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99 ≈
4.66€
Sonidos Negros
Sonidos Negros
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Flamenco
#
Richard Hirsch
#
Sonidos Negros
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Richard Hirsch
#
SheetMusicPlus
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch...
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called ?Andalusian? cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
$6.99 ≈
6.52€
Granada
Granada
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Katherine Jenkins
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Peet du Toit
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Granada
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Peet du Toit
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SheetMusicPlus
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1403112 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by...
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Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1403112 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by Peet du Toit. Folk,Traditional. 29 pages. Peet du Toit #986312. Published by Peet du Toit (A0.1403112). Granada is a famous song in Spanish written in 1932 by the Mexican composer AgustÃn Lara. The first interpretation was that of the Mexican tenor Pedro Vargas, nicknamed the Tenor of the Americas.Several adaptations of the piece, later interpreted by numerous other singers, have been made in the most varied musical styles and in various languages.The text speaks of the Andalusian city of Granada , described as the land of my dreams ( tierra soñada por mà ), with its bulls and beautiful women.I hope this brass quintet and percussion rendition will be enjoyed and is accessible to most quintets.
$21.00 ≈
19.59€
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Traditional Andalusian folk song
